Episode 9 – Kitchen Nightmares

 

This week’s discussion: Kitchen Nightmares, Season 5, Eps. 1-6, 16.  Watch it on Hulu.

Next week’s discussion: Survivor, Season 1.  Watch it on Hulu.  Watch it with Amazon Prime Video.

This week Mike and JS delve into their first food-themed reality TV show – Kitchen Nightmares.  We mainly cover the US version, but also devote some time to discussing the original UK version as we were both struck by the many differences in the presentation of the shows and how they might reflect broader differences between US and UK culture.  Topics discussed include: our impressions of reality TV star Gordon Ramsay, the insanity of Amy’s Baking Company, the ‘disclaimers’ in the credit sequence of each episode, the centrality of food in Western social interactions, the harsh realities of operating a restaurant, and how the optimistic narrative the US version tries to sell us reflect a broader cultural view of American idealism.

Show Notes and Links

1:08 / The moral of this week’s show

1:58 / Introducing the show

3:30 / The concept of the show (similar shows include Bar Rescue and Restaurant Impossible)

5:06 / The optimistic narrative arc the show is trying to sell us

6:02 / Discussing the history of the host, Gordon Ramsay; JS mentions Hell’s Kitchen

7:45 / Emphasis on the ‘celebrity’ in celebrity chef

8:22 / The differences in Ramsay’s presentation in the US and UK versions

10:15 / The US version struck us as much more heavily produced

11:20 / Starting our detailed breakdown of La Galleria 33

12:50 / The general arc and themes that reoccur in each episode

14:35 / Returning to La Galleria

15:22 / Mike fills in a couple spots in the episode arc that JS missed

16:35 / A brief digression on the editing

17:07 / The afterword at the end of each show

17:38 / The show often implies the owners are chiefly at fault for the problems at the restaurant

18:00 / Talking about the restaurant shutdowns

18:40 / The episodes of the show are pretty similar; many blended together for Mike

19:02 / Discussing episode highlights from Mama Maria’s

20:05 / The motif of frozen vs. fresh that comes up again and again

21:24 / Nostalgia is a common refrain in these episodes; many of the owners who have been successful at one point are more stubborn

22:06 / The common dynamic of multiple owners who conflict over the changes Ramsay wants to implement

23:53 / Segueing into our summary of Amy’s Baking Company

25:19 / JS can’t contain his giddy excitement over this episode

27:40 / This episode breaks the typical narrative arc of the show

28:47 / Discussing the fallout of this episode on the Internet and how it affected the business

29:52 / The difference between Amy and other recalcitrant owners was that the others would at least temporarily ‘play ball’ with the show

30:40 / Segueing into this show’s placement on the spectrum of ‘reality’ in reality TV

31:40 / There are some notable disclaimers in the credits of the show

32:42 / The diners being brought in by the show and ‘playing to the camera’

33:25 / JS knows of a restaurant near him that went through one of these shows, discusses the process of collecting diners

35:23 / Mike mentions a lawsuit against the show; JS explains mandatory arbitration

37:05 / Despite the lawsuit, our feeling is that this show is probably not TOWIE or Bridezillas

37:37 / The narrative of hate-to-love of Chef Ramsay by the owners came off to JS as producer coached

38:12 / The rags-to-riches theme of the US version reminds Mike of a Horatio Alger tale

38:43 / The site that Mike got his information from

39:01 / The harsh realities of the restaurant business

39:38 / The message of the US show may not correspond perfectly with the real world; the UK version seemed more realistic

40:52 / The restaurant as a symbol of the American Dream – often an immigrant success story

42:00 / The US show is very focused on the personal and family backgrounds of the owners

42:53 / The different center of focus in the two versions: US version is owner-centric, UK version is kitchen staff-centric

44:00 / The American focus on individual success and responsibility; UK focuses more on the overall team

45:38 / A brief aside of the differing budgets of the shows, Mike mentions Rupert Murdoch

45:53 / Segueing into the appeal of food TV

46:12 / The centrality of food and ‘dining out’ in Western social interaction; JS alludes to the Food Network

47:09 / The combination of immediate accessibility and specialized behind-the-scenes insight

48:15 / The allure of reality television success and overcoming difficulties

49:38 / Many of these owners have gone in without specialized business training

50:38 / Mike preferred the realism of UK version to the idealism of the US version

51:42 / The contrasting afterwords of the two shows as an example of this

52:38 / How does the episode of Amy’s Baking Company fit into the idea that this show’s appeal is about success?

54:00 / Was Amy’s Baking Company really a failure?  Discussing the irony of the owners who tell Ramsay off doing better than many of the restaurants on the show who followed the instructions

55:20 / The capricious nature of the restaurant industry, even something as simple as lack of parking can doom a restaurant

56:10 / The high failure rate of restaurants in the first year (and an article Mike found that provides a counterpoint); this show perhaps looks at the industry through rose-tinted glasses

57:43 / We both discuss how will we never be opening a restaurant, even if we win the lottery

58:30 / This show, like other reality shows we’ve watched, is very focused on individual control and individual responsibility

1:00:48 / The appeal of the show’s Prodigal Son narrative, but how realistic is it for these businesses to dig themselves out of the deep holes they are in?

1:02:00 / Mike made a Facebook page: please go like the page and take part in our listener poll: Snooki & JWoww: Moms with Attitude vs. The Sorrentinos

1:04:02 / Announcing a semi-reoccurring segment for the next show: Reality TV First Loves

1:05:16 / Contact us, rate and review, and subscribe

Episode 8 – Bridezillas

 

This week’s discussion: Bridezillas, Season 10, Eps. 1-3, 19-20.  Watch it on Hulu.

Next week’s discussion: Kitchen Nightmares, Season 5, Eps. 1-6, 16.  Watch it on Hulu.

We are back with our usual twosome, after another close shave with our schedules, to bring our loyal listeners the long-teased episode on Bridezillas we’ve been talking about. To summarize the show in a sentence, it was, quite frankly, probably the most entertaining show we’ve watched for the podcast so far.

We start out by hitting the highlights of the individual episodes and reliving our favorite tears and tantrums before going into why we believe this show may not quite be a completely faithful representation of ‘reality’ and talk about its overall evolution from playing it relatively straight to going over the top.  We then praise the gonzo and hilarious sound design and graphics post-production as well as the snarky narrator, who has a near endless supply of catty one-liners.  Finally, we wrap up by going beyond the humorous aspects of this show’s appeal and explore what it has to say about our modern conceptions of gender and marriage.

Show Notes and Links

1:03 / JS makes his triumphant return

1:45 / Introducing this week’s show

2:46 / The ritual summary of the ‘high concept’

3:35 / The typical bride’s story is divided into two episodes (which we thought was brilliant)

4:37 / We were surprised that more reality shows didn’t adopt this format

5:35 / Identifying the larger tropes and stereotypes of the show

6:48 / Typical Bridezilla – is super demanding, but not in an efficient way, has to be incompetent as well to be on this show

8:05 / We both found this show highly entertaining

9:30 / Briefly covering Haley and her in-laws

10:16 / Summarizing Ariel and Brook

12:34 / Ariel and sexual ‘TMI’

13:40 / Talking about a questionable piece of ‘creative editing’

14:08 / A detailed breakdown of the episode as a template for the show

16:28 / Mike gives an example of a minor variation

16:56 / Transitioning into Dezjuan’s arc

17:26 / A ‘romantic’ dinner gone wrong when Mom shows up

19:00 / Talking about Dezjuan’s grandma – who we both thought was great

20:11 / Discussing Dezjuan’s trainwreck wedding

21:14 / The show’s tendency to try to tease us into thinking weddings will fall through

21:37 / Amanda from Texas – where JS began to suspend his disbelief

22:46 / She was pretty frank to the producers about faking an illness

23:38 / Making a jump to Episodes 19-20 and going over Angela’s arc

25:44 / The main theme of her story – conflict between the bride and the groom’s sister

26:13 / The highlights from the second half of Mai-Lee

26:55 / JS liked the more laid-back, carefree grooms on the show

28:02 / Mike’s favorite Mai-Lee moment

28:25 / Breaking down Adrienne and Waylon’s episode

29:15 / Waylon was a highlight – zombie weddings and waxing

30:18 / This show may not be meant to be taken at face value

31:09 / The interview with Angela that Mike references

31:48 / The show sets up moments and does retakes

33:15 / How the show has evolved since its perhaps more ‘realistic’ beginnings (We both mention a lawsuit)

34:45 / By Season 10, everyone is clearly in on it

35:52 / Discussing the financial compensation

36:46 / The weddings filmed for the show are based on the optics of the narrative being pushed (particularly around social class)

38:00 / Mike noticed a reoccurring character who shows up at opportune times

39:05 / The fights seem to be patched up rather quickly for ‘reality’

39:45 / A call back to our discussion of ‘scripted reality’ in Episode 2 (This is how it’s done, TOWIE!)

40:35 / Segueing into the topic of humor and the show’s post-production

41:10 / Going over our favorite sound production moments

42:45 / This show has an awesome narrator

44:10 / Mike relives his favorite quips

45:04 / The music and graphics are also really funny

46:50 / Discussing an unfortunate Bridezilla who got into legal trouble because of the show

48:27 / Mike found Angela’s reaction to the final product amusing

49:36 / Mike’s theory of this show’s appeal: It deals with our cultural anxieties about marriage

52:43 / By taking these insecurities and blowing them up in a humorous way, this show achieves a type of catharsis

53:25 / JS thought the relationship between bride and groom reminded him of the relationship between husband and wife in traditional sitcoms (JS mentions the show The King of Queens)

55:55 / Talking about how this show reflects real-life anxieties and stresses about wedding planning

57:20 / The sexist nature of the ‘Bridezilla’ stereotype and its relationship to our gendered expectations around weddings

59:13 / How this show both subverts and reinforces our idealized views of weddings

1:00:43 / Mike’s ‘wedding planning’ experience and JS’s actual wedding planning experience

1:02:07 / A perennial 42 Minutes of Reality observation: Watching these trainwrecks can make us feel better about our comparatively milder shortcomings (Is this a public service?)

1:03:39 / Introducing the show for our next podcast

1:04:55 / A quick scheduling announcement (actually posting more like Sunday evening, though Mike said Monday)

1:06:00 / The usual announcements: email, rate and review, (and also subscribe, even if Mike forgot to say it)